What Is A DSLR Camera Trap & How Does It Work?

If you follow me on any of the social media channels, you have likely heard me talk about DSLR camera traps. I use them extensively to capture extraordinary images of wildlife in their natural habitats. So, what exactly is a DSLR camera trap you ask? In this blog, I’ll answer that question and explain the differences between camera traps and trail cameras.

Trail cameras (sometimes referred to as game cams) and DSLR camera traps are both valuable tools in wildlife research and photography, but they have distinct differences both in their functionality and design. A trail camera is typically a standalone unit that is motion-activated and primarily used for capturing wildlife in its natural habitat without direct human intervention. These cameras are often used for wildlife monitoring and research, and they are designed to be durable and weatherproof for long-term outdoor use. On the other hand, a DSLR camera trap involves the use of a DSLR camera paired with additional equipment such as motion sensors, remote triggers, and off-camera flashes, to capture images in a more controlled setting. A DSLR setup gives photographers much more creative control over the composition and settings of the images, making it ideal for capturing high-quality photographs of elusive or nocturnal wildlife. While both types of cameras serve the purpose of capturing wildlife images, their differences lie in their level of automation, versatility, and the degree of control they offer to photographers.

Your basic trail camera, useful for documenting wildlife, whether in be in your backyard or your local forest preserve

When I talk about “remote camera trapping”, many folks (wrongly) assume I am using just your average, off-the-shelf trail camera. I assure you, that is certainly not the case! A basic trail camera is simply not capable of achieving the level of resolution and detail a DSLR camera can, no matter what the manufacturer claims in terms of megapixels. Many trail camera companies are now touting “18 megapixel” cameras, and some even claim “22 megapixels” or higher. Sounds good, right? Not even close! Trail camera companies use a process called interpolation to achieve these inflated, unrealistic megapixel numbers. Interpolation uses software to enlarge from the native resolution of the camera, which, in most basic trail cameras is actually closer to 4-5 megapixels at best, hardly enough to produce a print, let alone a quality print. When images of such low quality are blown up via software, the final result is a highly pixelated, blurry image. You could simply not create an image worthy of printing using one of these off-the-shelf trail cameras. With that being said, trail cameras are a valuable tool for wildlife research projects as they are inexpensive and can record video, which can be more valuable to researchers than stills alone.

Just some of the equipment necessary for a DSLR camera trap — Perfect for capturing high-quality images of wildlife in their natural habitat

For the type of fine art photography that I do, I use native high-megapixel DSLR (or digital single-lens reflex) cameras, the same cameras most photographers are using these days to capture high-quality imagery. Because the cameras are often deployed in the field for extended periods of time, I construct weatherproof enclosures for the cameras. The camera is then connected, often wirelessly, to an infrared sensor capable of detecting heat and/or movement. When an animal walks past and the sensor detects movement, for example, a signal is sent to the camera to take a picture, or several pictures, depending on how I have set it up. To capture images of animals at night, remote flashes must also be incorporated into the setup. Now when the sensor detects either motion or a heat signature, the signal is sent to both the camera and the flashes to trigger simultaneously. The goal is not to just light up your subject using flash but to light it in the most natural and creative way possible. There are far too many camera trap images out there that simply scream “flash photo!”. If all you are trying to do is document a species, that may be completely fine, but if you’re trying to create art, this isn’t the way to go about it. One of the fundamentals of being a photographer is being able to not only understand but also “see” light, and that goes for flash photography as well. I want my images to appear as natural as possible, and this requires a lot of foresight and thought when setting up the camera trap. Often times you will only get one shot at an image, so it’s important to pay attention to every single detail. When I’m setting up a camera in the wild, I may spend 6-7 hours, sometimes longer, getting everything positioned perfectly.

A DSLR camera trap in the field

As you can see, there is far more that goes into creating one-of-a-kind images of wild animals using DSLR camera traps. To me, though, the extra effort is worth the reward. There is simply no better way of capturing images of rare and elusive wildlife. Along with the equipment, being a good naturalist can be an invaluable skill in a camera trapper’s toolkit. Being able to read tracks and signs left behind by animals can help you locate the best areas to place a camera. Understanding animal behavior is another very important skill one must learn to be truly successful. Once you find that perfect location in the wild, the next thing you’ll need to have, as in all wildlife photography, is a lot of patience! There have been times when my cameras have been out for months and months before they ever captured my target species, and sometimes it just doesn’t work out. Over time, you will learn not only from your successes but also from your mistakes. That will not only make you a better photographer but a better naturalist as well.

Below you will find some examples of what is possible when using these sophisticated remote camera traps! If you’re a wildlife/nature photographer or enthusiast, and you’d like to learn more about DSLR camera trapping, my eBook is the most comprehensive guide out there on the subject. It’s packed with everything you need to know not only to get you started, but also to help you succeed in the art of DSLR camera trap photography. The tips and techniques I share are designed to fast-track your success and save you from years of costly mistakes. From the novice to the veteran camera trapper, everyone will benefit from the wealth of information that is included in this guide. I’ll put a link down below if you’re interested in elevating your wildlife photography to the next level!

Visit the link below to learn more about my eBook, “The Ultimate Guide to DSLR Camera Trapping” ⤵

Best of 2023 Part II: America The Wild

Part II of my “Best Of” blog piece focuses on my most memorable wildlife encounters of 2023. I’m blessed here in Montana to not have to travel very far to photograph a wide variety of wildlife species. This past year, however, I really focused my efforts on elusive cats, mainly the mountain lion, or cougar. I have dedicated the past several years to building a portfolio of these majestic, yet seldom observed cats. Over the past few years, I have been able to narrow down specific areas where my odds of capturing these big cats are almost guaranteed. Finding these areas meant putting in hundreds of hours, both in the field and also by using Google Earth to scout out potentially viable areas. That’s where my DSLR camera traps (not to be confused with “trail cameras”) come into play. I can leave these cameras out in the field, essentially working for me 24/7, for extended periods of time. As a result, a majority of the images that you will see here took considerable amounts of both time and effort to achieve. I hope that you will enjoy them as much as I do!

“MOUNTAIN KING” | PURCHASE ARTWORK

I picked up my first camera at a very young age, but it wasn't because I wanted to become a photographer when I grew up, at least not at first. As a young boy, one of my favorite hobbies was tracking animals. I would set off into the woods alone with nothing but a small pack containing everything I needed to document the wild animals that lived in my neighborhood: a ruler, a pencil, a notebook, and a can full of plaster of paris so that I could make castings of the footprints I found. As time went on, I found myself wanting more than just measurements and casts of tracks. I started carrying inexpensive, one-time-use disposable 35mm cameras to capture photographs to go along with my records. As I got a bit older, maybe 15 or 16, I purchased my first 35mm SLR camera.

At first, I was strictly documenting tracks and sign with the camera, but soon I found myself purchasing a small telephoto lens, hoping to capture animals that I encountered in the woods: groundhogs, foxes, deer, coyotes, skunks, whatever I came across. It was easier said than done! Not only was I carrying a camera in hand, I was also building basic remote camera "traps" to capture images of nocturnal wildlife. These crude designs made use of sensors found in motion-activated lights, vehicle door lock actuators (to trigger the camera's shutter button), and heavy metal boxes to keep everything waterproof. The light source was the flash on the 35mm camera. Talk about an unflattering look!

As I grew older, my passion at times took the back burner as the hustle and bustle of everyday life sometimes got in the way. In the back of my mind, however, I was quietly plotting my career path as an artist. I knew the road would be long and not even close to easy. Making a living as an artist is not easy or guaranteed, not in any way. Sure, I get to travel and take "pretty pictures" for a living, but what you don't see is all of the countless hours spent in wild places to capture a singular, special moment in time. Along with that, there is also the thought and dedication that goes into crafting meaningful imagery. Lastly, you must have a strong passion for nature.

That brings me back to the image that you see here of a large male mountain lion checking out a rocky outcropping on a late winter morning in Montana. It is a combination of several of my passions. Tracking, wildlife, and photography, all wrapped up into a single image. Technology has come a long way since I first started building my own remote cameras back in the early 2000s. Nowadays, I build much more sophisticated camera traps using DSLR cameras, infrared sensors, and off-camera flashes so that I can get creative with the light. I spend countless hours scouting in the wild to find just the right place for a camera trap. Unlike with traditional wildlife photography, where you are often reacting to the conditions and behavior in real-time, with camera trapping, you are only limited by your own imagination. The photographer is able to control nearly the entire process. Everything from the composition to the lighting, and to some extent, even where the animal is captured within the frame.

In order to capture this image, I spent several winters tracking and studying the habits and movements of these big cats. During that time, while out checking on camera traps one morning, I was even fortunate enough to witness a cougar successfully hunting its prey at very close range. On one particular morning, I was out scouting for sign and located a single, partial imprint in the snow beneath this overhanging rock. Based on that single impression and behavioral knowledge of the animals themselves, I decided it was worth setting up a camera in hopes the cat would eventually return to this location. After several long months of patiently waiting, this large male finally returned to this rocky overhang and triggered my camera early one morning as winter was coming to a close. The location was so specific that this cat and a few passing elk were the only animals that I captured over a three-month period of time!

“HIGH COUNTRY” | PURCHASE ARTWORK

I first came across this location over a year ago and made note of it. Having spent so much time in the field learning the habits of mountain lions, this rocky outcropping looked like the perfect haunt for a cat. I monitored the area for several months and began to see a pattern of activity emerging. This past year, I was able to finally get one of my DSLR camera traps in place. Both the camera setup and the lighting proved to be quite challenging, as the location is literally right on the edge of a small cliff. With a little ingenuity, I was able to make it work. Over the next several months, I captured a few of my favorite images of mountain lions to date, and I missed an even better shot of a female with kittens due to dead batteries. That's just the way it goes sometimes! In the end, though, patience and persistence paid off.

“A TAIL OF TWO LIONS” | PURCHASE ARTWORK

This image, taken in the fall, shows a mother mountain lion and her cub on a dreary, rainy morning in Montana. I captured this unique image using one of my sophisticated DSLR camera traps. It's always exciting to capture more than one animal in a single frame. I particularly liked the natural framing of the youngster by the mother's long, curved tail.

Mountain lions are solitary creatures, typically living and hunting alone. They are rarely seen in groups, except for mothers with their young, and occasionally during mating season, when males will travel with females for short periods of time. They are territorial and often have large home ranges, with males having larger ranges than females. This solitary lifestyle helps them survive in their natural habitat, as they are able to hunt and avoid confrontation with other animals more efficiently, while at the same time reducing the risk of competition for resources.

“GHOST OF THE ROCKIES” | PURCHASE ARTWORK

Here is another photograph I captured at the same location as the image above this one. If you look closely here, you'll see the ghost cat of the Rockies, the mountain lion. In remote camera trapping, "ghosting," as it is often referred to, occurs when the ambient light in a scene competes with the light from the flashes. In this case, a rising full moon was much too powerful of an ambient light source. The instantaneous light from my flashes "froze" the cougar, but as the cat moved out of the frame during the long exposure, the animal became semi-transparent.

A majority of the time, these "ghostly" images do not turn out so well. For some reason, I didn't mind it with this image. Perhaps because of the moody atmosphere created by the full moon. The more I looked at the image, the more I enjoyed it!

Are you a wildlife photographer who is interested in capturing high-quality images of wild animals in their natural habitats? If so, you’ve come to the right place! My extensive eBook: The Ultimate Guide to DSLR Camera Trapping will teach you everything you need to know and more about remote camera traps. Designed not only to be a crash course in camera trapping, this in-depth guide will also teach you the necessary and valuable skills that you need to know so that you too can begin capturing images like the ones you see above. You can check it out at the link below:

“MOOSE POND” | PURCHASE ARTWORK

Sometimes, just being in the right place at the right time can yield the best images. This capture is a prime example of just that!

“BOLD SPIRIT” | PURCHASE ARTWORK

While out tracking Canada lynx over the winter, I had a fleeting moment with this young, inquisitive cat. While the encounter did not last very long, I was able to make this image while lying flat on my stomach in the deep snow. Being that they are such a rarity in Montana, I always cherish the moments I get to spend with these elusive wildcats.

“VIGILANT” | PURCHASE ARTWORK

Another special encounter occurred during the spring. Here, a female great gray owl diligently watches over her young at the nest. If you look carefully, you may spot the beak of one of the tiny newborn chicks. Great gray owls rely heavily on large snags (dead standing trees) such as this one, as they provide these big raptors with an ideal nesting habitat. Of the many great gray nests that I photographed in 2023, this image was one of my favorites.

“LAST LIGHT” | PURCHASE ARTWORK

"Where light and shadow fall on your subject -- that is the essence of expression and art through photography" -- Scott Bourne

To me, this sentiment really rings true. I am reminded just how important light is in photography. Far too often, I see images that are missing this fundamental ingredient. Simply capturing an image of a wild animal, or a scenic landscape, for that matter, doesn't necessarily make it a great image. Light has the power to turn the ordinary into the extraordinary. Until one learns to “see” and master light, only then will they discover the key to photography. Take, for example, this image of a ram I photographed in Montana. It turned out be one of my favorite wildlife portraits from last winter. Without the beautiful sidelight from the setting winter sun, this would be nothing more than your average run-of-the-mill portrait of a bighorn ram. When you add in that special light, however, it becomes something far more.

“SHARING THE VIEW” | PURCHASE ARTWORK

A rare combination of conditions lined up perfectly, and this is what led to me capturing this unique image from Glacier National Park. First, a measurable snowfall, followed by no wind (a rarity for this area!), and the road through the valley had to be drivable still. Check, check, and check!

The next morning, I made the 6-hour drive to the east side of the park, arriving at the trailhead a little after 3 p.m. and began the solo 5-mile trek up to the glacier. The plan was to photograph the sunset up there, which at this time of the year was a little after 6 p.m., so I hiked at a relatively fast pace. Not only that, but temps were hovering in the single digits. By moving quickly, I was able to stay somewhat warm throughout the hike. When I arrived, I found the Upper Grinnell Lake to be already frozen solid. With some time left before sunset, I made the decision to descend to this lower vantage point overlooking Grinnell Lake instead. Without much time left before sunset, I managed to find a composition that I liked just before the clouds lit up.

As I was waiting for the light to get better, I was paid a surprise visit by a couple of friendly “locals.” A female mountain goat and her youngster! I was framing up a nearby composition when I first noticed the pair. They were about 100 yards below me, moving across a snowy cliff band. As the light in the sky became more and more intense, I found myself glued to the viewfinder. Eventually, I looked up and caught some movement out of the corner of my eye. I looked over and was shocked to see a mountain goat quietly observing me from a few feet away. I remained still, and once the goats were satisfied that I wasn’t a threat, they trotted right up to join me on the rocky perch. Knowing how special the moment was, I carefully moved a few feet to my right and got into position to capture the pair as they took in the grandeur of the scene that was before us. Not only was I able to capture this iconic landscape in unique conditions, but the presence of the goats really elevated this image to another level for me.

Once the sunset was over, I began the long, frigid trek back to the trailhead in the dark. I stopped several times to photograph at a few other locations on the way down, making my way through the night by headlamp until a full moon graced me with its presence. Hiking in grizzly country always comes with a heightened sense of awareness, and when you are hiking in the dark solo, one must be hyper vigilant and aware of their surroundings. While I did not end up encountering any bears that night, just a lot of footprints, I did see one on the road driving out of the park. It was a fitting way to end the day and a reminder that I’m not the only one out there wandering through the wild.

“SECRETIVE BY NATURE” | PURCHASE ARTWORK

Mountain lions are solitary, stealthy predators that roam the extensive landscapes of both North and South America. With their powerful bodies and keen senses, these elusive creatures reign as one of the most skilled hunters in the animal kingdom. Their tawny coats blend seamlessly with their rocky and forested habitats, providing them with excellent camouflage as they stealthily navigate through their large territories. Known for their agility and athleticism, mountain lions are capable of leaping great distances and scaling steep cliffs with remarkable ease. Despite their elusive nature, they play a vital role in maintaining the balance of their ecosystems, contributing to the diversity and resilience of the natural world.

Shortly after returning to Montana from an autumn trip in Colorado, I had an unbelievable encounter with one of these majestic big cats while heading back from checking on one of my remote camera traps (coincidentally set for cougars!). Of the half dozen or so encounters I've had in the wild (two of which I witnessed were cougars taking down prey), this encounter was, without a doubt, the most special. Seemingly unphased by my presence, I was able to spend nearly an hour with this cat as it slowly moved through the forest, occasionally lying down underneath trees and, at one point, right out in the open! The light was fading, but I just happened to have my long lens with me, and I was able to capture several images I was very proud of. I particularly liked this one of the cat peering back at me through the natural framing of the forest.

The final two images that you will see below are from the same encounter…

“CHANCE ENCOUNTER” | PURCHASE ARTWORK

“SHADOW CAT” | PURCHASE ARTWORK

Did you miss Part I of my “Best Of 2023” BLOG? You can check it out here:

If you enjoyed my “Best Of” series, please leave me a comment below and share it with your friends!

Best Of 2023 Part I: America The Beautiful

Another year has come to a close, and how fast it has gone. It seems like it was just yesterday when I was immersed in these incredible landscapes. In a world where AI images are becoming the “norm” on the web, I find solace in knowing that I can still create these works of art in the field, in nature, not behind a computer using software to artificially generate a scene. That is not true art. At least not as far as I am concerned.

What’s next for me in 2024? I’ve made some big plans already. If there is one thing I’m good at, it’s not letting a moment go by without enjoying everything this life has to offer. I hope that you will enjoy the artworks I’ve created in 2023. If you see something that catches your eye, consider bringing one of these fine art pieces into your home. The power of nature can be so healing!

Photo of sandstone towers at sunrise in Utah

“ANCIENT MONOLITHS” | PURCHASE ARTWORK

You are looking at some of the tallest freestanding towers in North America. After several days of hiking around on foot in this incredible area, I found this withered dead tree. The early morning light coaxed out the textures and character in the old tree and really brought it back to life.

Photo depicting an old cabin in front of the mountains of Colorado

“AWAY FROM IT ALL” | PURCHASE ARTWORK

An old, abandoned cabin overlooking the San Juan Mountains in Colorado on an autumn evening in Colorado. Upon arriving here that evening, the skies were mostly clear. Several other photographers were set up when I arrived, but as soon as the sun set, they all packed up and left for the evening. As I made my way back to my vehicle, I stopped one last time to make a few panoramic images of the cabin as the day gave way to night. As it grew darker, I could see some clouds slowly filtering in from the northeast. I quickly made my way back to this overlook and got set up once again. Twilight is one of my favorite times to photograph landscapes. The glow that you get before dawn and about a half hour after sunset can be magical. It was almost completely dark when I took the image you see here. A long exposure helped to reveal the last bit of alpenglow on the massive peaks that rose above the old cabin, and the clouds added the finishing touch to perfectly balance out the scene.

Photo of a waterfall in Colorado

“DOWNSTREAM” | PURCHASE ARTWORK

Warm sunlight filtering into a hidden waterfall chamber in Colorado. This is one of my favorite locations to visit during autumn trips to Colorado. It is such a peaceful, relaxing spot to sit and take it all in. Having visited this area multiple times over the years, I knew before I even arrived the type of image I had in mind here.

“TRIUMPH” | PURCHASE ARTWORK

The best views come to those willing to work hard for them, and we certainly worked very hard to reach this incredible destination. There are no trails that lead here. This is a location I’ve been wanting to visit for the past two years.

For my 40th birthday this year, my wife and our two fur kids embarked on an epic backpacking trip into the Western Rocky Mountains. Our destination was a remote and seldom-visited high alpine lake. For the past year, I have been studying maps and scouting possible routes on Google Earth for what would inevitably be an arduous journey. The lake receives very few, if any, visitors each year. Without a doubt, far more people climb Everest or K2 each year than visit this hidden gem.

The lake is incredibly easy to get to. Just kidding! This hike begins on trail, but eventually one must navigate off trail, and this is where the adventure (or torture, depending on who you ask!) begins. Once venturing off the established path, a bushwhack/climb/scramble up impossibly steep, rugged terrain awaits the adventurous explorer. Various obstacles stand between you and the lake. First, a long hike, followed by a long bushwhack through a jungle of thick brush, creek crossings, rock hopping over boulder fields, as well as numerous slippery, grassy slopes, interspersed with scree and talus. Oh, and let's not forget that steep, scrambly section of loose rocky chutes we affectionately referred to later as the "Devil's nutsack!". It was hairy, pun intended. In this devilishly steep section, we gained nearly 1,000ft of elevation in just three tenths of a mile! We were each carrying at least 40lbs worth of gear and supplies on our backs, and our huskies each carried their own packs. Negotiating this steep terrain with full backpacks and our leashed pups took well over three hours (and easily the same on the way down!). Talk about exhausting! Our reward was this indescribably beautiful cirque, ringed with jagged granite spires. For the next four days we would see not one other human. In fact, the only sounds we would hear would be the serenading calls of dozens and dozens of pikas.

Other than a few passing thunderstorms, one of which forced us to take shelter beneath the overhang of a house-sized boulder, the weather cooperated nicely. I was fortunate to come away with many unique images from this spectacular alpine paradise. Photographs alone will never do this place justice, but I tried my best to capture it in a way that hopefully translates into just how beautiful it was. All in all, it was a great way to celebrate my 40th!

“SYMPHONY IN STONE” | PURCHASE ARTWORK

An early spring trip to the desert southwest yielded many opportunities to explore badlands, sandstone arches, and remote slot canyons like the one pictured above. After driving for hours on a long, rough, and occasionally tortuous 4x4 road, we made it to the “trailhead”. Actually, there was no trailhead, it was just the end of the road. We set up camp for the night and cooked a nice meal while watching the sun set over the deep canyon that was before us.

The next day we would depart early for our hike to the entrance of this “slot”, in an effort to beat the heat of the day. The day was starting to heat up when we finally made it to the entrance of this incredible sandstone slot canyon, which I likened to the famous Antelope Canyon, except without the crowds! Once we entered the canyon, the temperature became much more tolerable. We ended up spending the entire day wandering around in this beautiful canyon without seeing a single soul. This photograph turned out to be my favorite from the many images I captured that day. It is made up of 9 horizontal exposures captured with a 14mm lens and then carefully stitched together into the vertical orientation that you see here. The result was this massive field of view, which was impossible to capture with just a single image alone.

“HEAVEN’S THRONE” | PURCHASE ARTWORK

The Milky Way Galaxy stretching high into the night sky above an otherworldly landscape of sandstone formations in a remote region of Arizona. This was my first visit to this remote and spectacular place, and having a 4x4 is a must. Having heard rumors of deep sand on the route to these bizarre natural formations, the rumors became reality as we soon found ourselves traveling for miles through some of the deepest sand I’ve ever driven through. We spent several days camping and exploring everything the “pocket” had to offer. I even discovered a set cougar tracks out here near one of the dried-up water holes!

One evening while I was out scouting, I came across this composition. Because of the south facing view, I decided to check with an app on my phone to see what time the Milky Way would align with my comp. To my surprise, the galaxy would line up perfectly above the formations around 3:30-4:00 in the morning. I retired to bed around 10:30 that evening and set my alarm for 3am. As I hiked through the dark to reach this spot, I couldn’t help but think about all the creepy crawly critters that call this area home. Tarantulas, spiders, scorpions, and who knows what else! I’m used to hiking in the dark in grizzly country, but this area had me a little on edge. I know this sounds silly but coming from the mountains, the desert is a very unfamiliar place to me. Luckily, I didn’t spot any crawlies, but I was serenaded by a pack of coyotes while I was out photographing one night. I’ll never forget how clear the skies were way out here, once my eyes became adjusted to the darkness, and how the light from the stars and the galaxy almost seemed to illuminate the path forward.

“UTOPIA” | PURCHASE ARTWORK

An idyllic morning in a spectacular alpine cirque high in the Rocky Mountains at sunrise. This is another image from the incredible backpacking trip that my wife and our fur kids embarked on for my 40th this past summer. On this particular morning, I was photographing near the outlet of the lake when conditions went from mediocre to absolutely insane! Just before sunrise, a few clouds began building over the mountains. It was a welcome sight because just moments earlier, I was staring up at nothing but bluebird skies. That’s when the light began to slowly paint the jagged mountaintops. All of a sudden, I felt a burst of cold air. I turned around to see a thick fog creeping up the valley below. It wasn’t long before the both the mountains and I were completely enveloped in the fog. For the next several minutes the conditions evolved at a rapid pace. The mountains would appear and disappear in seconds. Finally, the fog lifted enough for me to capture the image that you see above. Talk about a surreal morning in the mountains!

“KINDLE THE FLAME” | PURCHASE ARTWORK

A sliver of light shining down into a narrow and claustrophobic slot canyon in the desert southwest. Timing was critical to capture the light in this scene, which lasted less than a minute. When I look at this image, I see a lit matchstick. What do you see?

“RHYTHM OF THE NIGHT” | PURCHASE ARTWORK

Fog settling in over the Sawtooth Mountains in Idaho on a chilly summer evening. Less than a half hour earlier, I was photographing this scene at sunset. There was not a hint of fog anywhere! After the sun went down, the fog started forming right before my eyes. It was incredible to witness. Before long, the fog was everywhere. It was almost dark when I composed and captured this long exposure, revealing the soft colors of twilight and the fog drifting over, under, and throughout the mountains. Another magical evening in nature!

“FOR A MOMENT” | PURCHASE ARTWORK

Sunset light adorns the rugged mountain peaks of Glacier Park as winter descends upon the high country. A rare combination of conditions lined up perfectly, and this allowed me to capture this unique image. I’ve had an image like this in my mind for the past few years now, I just needed the conditions to align. First, a measurable snowfall, followed by no wind (a rarity for this area!), and the road through the valley had to be drivable still. Check, check, and check!

The next morning, I made the 6-hour drive to the east side of the park, arriving at the trailhead a little after 3pm and began the solo 5-mile trek up to the glacier. The plan was to shoot sunset up there, which at this time of the year was a little after 6pm, so I hiked at a relatively fast pace. When I arrived, I found the Upper Grinnell Lake to be already frozen solid. With some time left before sunset, I made the decision to descend to this lower vantage overlooking Grinnell Lake instead. Not quite the shot I had in mind, but having photographed here before, I knew the view was in no way less impressive. I managed to find this composition just as the sun was setting. In fact, while searching for compositions I was paid a surprise visit by a couple of friendly “locals”. I’ll share one of those images in Part II of my favorite images of 2023!

Once the sunset was over, I began the long trek back to the trailhead in the dark. I stopped several times to photograph at a few other locations on the way down, making my way through the night by headlamp until a full moon graced me with its presence. Hiking in grizzly country always comes with a heightened sense of awareness, and when you are hiking in the dark solo, one must be hyper vigilant and aware of their surroundings. While I did not end up encountering any bears that night, just a lot of footprints, I did see one on the road driving out of the park. A fitting way to end the day, and a reminder that I’m not the only one out there wandering through the wild.